Paul Franco is one of my Facebook friends...a Los Angeles-based photographer who recently told me he was traveling across Europe by train when he saw a young woman reading one of my novels. He approached her with his usual flair and swagger and said, "I know the author." Paul never made it clear whether he approached the woman because she was tall and gorgeous or because she was reading my book. Nevertheless, I decided to create an award dedicated to that moment.
Unlike the mind of its namesake, The Paul Franco Award is simple: I will give an autographed copy of my next thriller to the very first random person I meet in public who is reading one of my novels. Plane, train, rickshaw, bicycle, hover craft, skateboard -- it doesn't matter. To win a free copy of my next book, all I need to do is see you reading one of my other novels. Yes, digital eBooks count. (Please, no reading while driving your car or big-rig, although passengers are certainly encouraged to partake!)
Which brings up an important point.
With the proliferation of high-speed hand-held internet devices today, if you see me coming, you can quickly go to Amazon and order a copy of Department Thirteen clicking HERE or The Identity Factor by clicking HERE, or if you're a Nook fan, go to Barnes & Noble and purchase a copy of Department Thirteen by clicking HERE, or The Identity Factor by clicking HERE, and that simple strategic purchase could win you FREE autographed copy of my next book! Easy!
What are you in for if you do? Well, Department Thirteen chronicles a week in the life of former KGB informant Aleksandr Talanov, who discovers he has broken the first rule of survival by unwittingly falling in love with the woman he must now fall out of love with if he is to save her from a mysterious group of assassins from his past. Released in 2011 by Comfort Publishing and set in Los Angeles, Australia, Vanuatu, and Switzerland, the novel was inspired by my years as a smuggler behind the old Iron Curtain, where it was recently awarded the Best Thriller of 2011 by USA Book News. You can read the official press release by clicking HERE, or watch the two-minute trailer by clicking HERE.
The Identity Factor is a completely different story altogether. Also published by Comfort Publishing and set in Austin, Cairo, Jerusalem, Washington DC, and San Francisco, The Identity Factor is attraction versus antagonism when a headstrong, mouthy rookie profiler with the CIA competes with a charming Texas journalist to identify a phantom terrorist. The book scooped finalist awards in four US book competitions, including the National Best Books Awards and the Eric Hoffer Award.
And what is my next book, you ask? I can't tell you that right now other than to say it is the second in my Talanov thriller series. "Book X," as I am presently calling it, will be announced officially by its actual title in June at the giant Book Expo America convention in New York. Naturally, some quotes and teasers will be leaked before that time, but if you like the likes of Aleksandr Talanov, you're in for a real treat.
So, in conclusion, I wish you happy reading, and on behalf of The Paul Franco Award, I hope to see one of you soon!
Tuesday, November 29, 2011
Friday, August 5, 2011
Department Thirteen
Moscow: 1983. Colonel Aleksandr Talanov of the KGB was trained to keep other people safe. It was his job. He was good at it. Unfortunately, the people he was protecting tonight were not the targets. He was. And not in a way he could ever have imagined. ~Department Thirteen. Opening lines.
James Houston Turner's latest novel, Department Thirteen, is a modern-day thriller about retired KGB informant Aleksandr Talanov, who is happily married to a woman he does not love. But when a mysterious group of assassins from his past narrowly miss killing him and his wife, Talanov discovers he has broken the first rule of survival by unwittingly falling in love with the woman he must now fall out of love with if he is to save her.
Want a taste of the adventure? View the exciting new Department Thirteen book trailer by clicking HERE.
Want to order a copy?
Go to Barnes & Noble by clicking HERE.
Go to Amazon.com by clicking HERE.
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Wednesday, June 8, 2011
SAM WORTHINGTON, STAR OF THE BLOCKBUSTER FILMS, AVATAR AND CLASH OF THE TITANS, CONGRATULATES JAMES HOUSTON TURNER ABOUT HIS TWO-BOOK PUBLISHING DEAL.
"It all starts with the writer: film, TV, book -- it doesn't matter -- it all starts with the writer." Sam Worthington
EXCERPTS FROM THE INTERVIEW:
AI: You're an award-winning author of suspense thrillers. Your two novels -- Department Thirteen and The Identity Factor -- are about to be launched in the United States with tremendous fanfare and a nationwide media blitz. You have Hollywood celebrities supporting and congratulating you. Why call your promotional tour the "Too Ugly Tour"?
JHT: As many people know, my face is disfigured from an operation I had back in 1991. It was a low point in my life as a writer, where I felt my career was going nowhere and we needed money. So I applied for a customer service job with a large company here in Adelaide, Australia, where we live. I was refused, not because I lacked skills, but because I was too ugly. At the time, it was a kick in the guts. But it was also a blessing in disguise, because if I had been hired, I may well not have persevered with my writing to become the published author I am today. So I decided to call my tour the "Too Ugly Tour" as both a reminder of and dedication to the hard knocks of life that are actually blessings in disguise. So while I will be appearing in bookstores and doing media interviews about my novels, I will also be sharing my story in schools with the hope of encouraging students not to give up when those kind of things happen. Kids today get hit with lots of those same kinds of judgments: you're too fat, too dumb, too poor, too...whatever. If we believe those lies, we become our own worst enemy and are defeated in life much more easily. Don't fall into that trap!
AI: The highs and lows you have experienced! What enabled you to keep going through so many heartaches and disappointments?
JHT: Belief in myself and in my writing. I've worked at all sorts of jobs to support my passion to write. I've shoveled concrete, washed windows, mowed lawns, worked construction and cleaned houses. I cannot tell you how many nails I've hammered or toilets I've scrubbed. I did it because I was willing to do whatever it took to support my family while pursuing my writing. That's because I felt a sense of purpose in what I was doing...that I had beaten the odds and been spared from cancer for a reason...that my books were not just "donut novels" -- all fluff and air -- but stories with a difference...the result not just of my imagination, but my life: the emotions and pain that I've felt, as well as the triumph. Each book contains glimpses into the extraordinary people I've met -- many of them heroes, many of them victims -- and the experiences I've lived, and the places I've traveled. That having been said, my books really aren't about me; they're about my readers. It's about each of them -- each of you -- being able to count on me using every available tool in my writer's toolbox to pack each and every story full of meaty characters, provocative storylines, interesting settings and a satisfying conclusion. I know I won't please everyone all of the time. But I try hard to achieve that high standard...to give my readers something worth reading.
AI: Your international thriller, The Identity Factor, has already been adapted for film and scooped finalist awards in four international book competitions, including the National Best Books Awards and the Eric Hoffer Award. LA's the Place magazine called it "One killer of a thriller...a Jason Bourne meets The DaVinci Code kind-of mystery inside a puzzle." UK book and film critic, Daniel Cann, who loved your new headstrong action hero, Zoe Gustaves, wrote one of the most stunning reviews I've ever read. He said, "Comparisons have already been made with Dan Brown and Robert Ludlum. After reading this novel, I can see why. Turner is a master at creating tension and suspense. Ludlum, Grisham, Patterson, Child...you can now add James Houston Turner to that esteemed list." Accomplished actor, Adoni Maropis, who played the master villain, Abu Fayed, in the hit television series, 24, had this to say: "I love a great villain. Great villains demand great heroes and The Identity Factor has both. This book is full of twists and turns that will keep you guessing until the very end." Adoni was brilliant in his role as Abu Fayed, and if anyone knows heroes and villains and how essential they are to a story, it is he. How does all this incredible praise make you feel?
JHT: To be compared with such A-list authors as Robert Ludlum, Dan Brown, John Grisham, James Patterson, and Lee Child is an honor I find hard to articulate. It is very, very humbling. But this amazing praise came ten years after I wrote that book. That's right, ten years. Let me set the stage for you. I finished writing The Identity Factor, which plunges into the heart of Arab/Israeli issues in the Middle East, back in 2001. Hollywood had even expressed interest in it as a film. Then came the attack on the Twin Towers, and virtually overnight, no publisher wanted anything that was Middle Eastern. And virtually overnight, my book was a pariah. Another rug yanked from beneath me. But I refused to give up on the story, and in 2008, decided to publish it myself here in Australia, where it won those awards (which I felt exonerated me for not discarding it like people said I should do). Now, of course, the Middle East is a hot topic of interest and there are all kinds of TV programs, films, and books set there, which is what attracted Adoni's praise as well as the interest of Comfort Publishing, who will be launching The Identity Factor in the United States when it launches Department Thirteen (my retitled 1999 novel) at the University of Houston Clear Lake, followed by a nationwide tour to promote the books. Aussie Sam Worthington, star of the blockbuster films, Avatar and Clash of the Titans, had this to say to me at the G'day USA black tie gala in Hollywood last January, when I told him the good news about my publishing contracts: "It all starts with the writer, mate: film, TV, book -- it doesn't matter -- it all starts with the writer. Congratulations on scoring your deal. You deserve it."
| Sam Worthington at G'day USA |
Keep up with all the latest info on James's Too Ugly Tour by visiting www.toouglytour.com, or by following James on Twitter or Facebook.
Additional information on James, including all the latest news and reviews, may be found on his website: www.jameshoustonturner.com.
See for yourself why people are talking! Order an eBook edition of The Identity Factor from Amazon by clicking HERE.
For all of Comfort Publishing's titles, visit www.comfortpublishing.com.
Friday, February 18, 2011
James Houston Turner's Book Cover Photo. Which One???
Friends, Romans, Countrymen...lend me your eyes. I need help choosing an author photo for the cover of my upcoming suspense thriller, Department Thirteen.
As many of you know, I'm pretty self-conscious -- at times terrified -- when it comes to the camera. Especially the flash. Which seems to highlight the facial distortions of my 1991 cancer operation at the Royal Adelaide Hospital. But I'm alive and married to the girl of my dreams. And my publisher, Comfort Publishing, is about to bring you a series of thrillers inspired by my experiences as a smuggler behind the old Iron Curtain. So I'm not one to complain.
Nevertheless, when Comfort's Director of Author Relations, Kristy Huddle, told me I needed a photo for the book cover, I got nervous. So I mentioned this to my good mate -- veteran photographer, Bill Rich -- who has worked with many of Hollywood's A-list. Bill is an absolute genius when it comes to the camera, so we spent an afternoon together in Los Angeles doing a photo shoot. Bill knows how to provoke, coach, guide and goad subjects into giving him just the right look. And believe me, I took some goading.
Bill took over 200 images that afternoon, and together we went through them. We tossed out the lousy ones and kept eighty or so good ones, which I've edited into a shortlist, which I've posted below.
So I'd like you to vote on which photo (or photos) you think best represents me as an author. None of the ones below are vastly different from the others. The differences are subtle. I discarded some otherwise good shots because I didn't feel they were "author" shots. I know author photos are supposed to have some kind of "X" factor -- whatever that is -- and maybe one of these photos does. Maybe not. Regardless, I'd like you to help me decide which one is best. Simply click the "Like" button at the bottom of your favorite image here on the blog site. For my Facebook friends, please cast your votes here so that I can forward the stats to my publisher. Feel free to leave comments as well, as I welcome all input into this decision.
I'd also like you to share this page with your Facebook friends, to get their votes. As you can tell, I'm a little nervous about all of this. But the book -- and one of these photos -- will be going international, so I'd really like to know what people think. There's a bar of icons at the bottom for Facebook and other social networking sites. Just click the icon and post a link to your friends with a request for their assistance in helping me select which photo is best for a book cover. Thank you!!! Here is the selection:
Friday, February 11, 2011
In the Beginning...
I was asked recently what influenced me to become an author of suspense thrillers. I had been asked that question before, so I was ready with my standard answer about how I began writing at the age of ten.
But then I thought: why did I begin writing at the age of ten? The question stumped me.
So I began at the beginning and thought back to those halcyon days of childhood. For me, it was a time of curiosity about the complexity and diversity of the world. A time of wonder, pranks, invention, country roads, and old deserted houses. Imagination ran wild. I scouted ravines for arrowheads. I took apart clocks to see what made them tick. I had a chemistry lab in our basement. A photo lab in my closet. I dug tunnels and built tree houses and blazed trails through the forested hills outside that small university town in Eastern Kansas, where I was born. I made rafts and swam in lakes. I restored an old multi-band radio and listened to strange languages from all over the world. I had wonderful parents, inspirational teachers, and a foundation of unconditional love.
But as I thought about all that, I realized it was my grandfather, Fred Florance -- "Pop" -- who inspired me to become a storyteller. That's because he was one of the originals himself.
Pop was born near Dallas, Texas, in 1879. He was one of eight children born to Civil War veteran, George Alvis Florance, and his young wife, Charlotte Johnson Florance. Pop loved swimming, and as a boy living in Arkansas, used to swim a mile every day in the White River. He loved working among the Native Americans of Oklahoma, and he spoke fluent Osage. He was a gambler who won and lost large sums of money. He eventually owned a tavern near Kansas City, where he played cards and shot craps with Harry Truman, Tom Pendergast, and Frank James, older brother of the notorious outlaw, Jesse James. So I grew up on Pop's stories about his life, his travels, and his adventures.
One such story involved moving in a covered wagon from Waverly, Kansas, in 1904, to Indian Territory, Oklahoma, when my mom was an infant. After swimming a swollen river with my mom wrapped in a blanket, Pop laid my mom on the other bank and swam back to lead the team of horses and wagon across. In the wagon was Pop's young wife, Aria, my grandmother. Once they were across, they set up camp on the bank of the river.
In those days, it was customary to give strangers who rode into camp a cup of coffee and food, which was usually salt pork and beans. Picture a starlit night on the banks of a river with a small fire crackling. The horses were grazing quietly and Aria was in the wagon nursing my mother. And suddenly, out of the darkness rode a tall stranger wearing a six-gun.
When I recall this story I think of the actor, Alfred Molina, from the film, Maverick. A rough and tough character. Intense dark eyes. A scowl -- almost a snarl -- on his face. Dirty. Stinky. And packing a huge Colt .45. You know the kind I'm talking about. I have no idea if the stranger actually looked like Alfred Molina in that film. Pop never described him in much detail other than to say he was a big, rough-looking guy.
The stranger asked if he could have a cup of coffee. Now, Pop stood six-foot-one, and said he was afraid of no one. And if he actually was afraid, he would never let on. So he offered the stranger some beans and coffee. No fancy French plunger coffee, either, but the kind that had been boiled for an hour in a tin pot at the edge of a campfire.
To set the stage for you here: Pop and Aria had just sold the farm in Kansas and had a substantial amount of money with them in the wagon. But Pop was concerned the rough-looking stranger might rob them if he let on. So he made up a story about how broke they were, how he had a sick wife and baby in the wagon, and how they were heading down into Indian Territory to try and make a go of it. On and on Pop went, detailing their troubles.
Finally, the stranger said, "That is the saddest story I've ever heard. I only have one dollar to my name, but I want you to have it." The stranger dug in his pocket, took out a silver dollar, and gave it to Pop before thanking him for the beans and coffee and riding off into the night.
Pop said he never hated to take a man's last dollar so much in his life. But he was afraid to tell him the truth -- that he had made up the entire story -- for fear the stranger really would rob them.
So if you wonder where I get my propensity for spinning wild yarns and telling tall tales, I got it from Pop. And like Pop, I get a lot of my story ideas from the life I've lived. From what I've experienced.
Incidentally, Pop gave me that silver dollar -- an 1884 Morgan -- and I still have it. It's worn and not worth much apart from its priceless contribution to my beginning as a writer.
Q4U: Was there a defining moment in your life that inspired you in a particular direction?
But then I thought: why did I begin writing at the age of ten? The question stumped me.
So I began at the beginning and thought back to those halcyon days of childhood. For me, it was a time of curiosity about the complexity and diversity of the world. A time of wonder, pranks, invention, country roads, and old deserted houses. Imagination ran wild. I scouted ravines for arrowheads. I took apart clocks to see what made them tick. I had a chemistry lab in our basement. A photo lab in my closet. I dug tunnels and built tree houses and blazed trails through the forested hills outside that small university town in Eastern Kansas, where I was born. I made rafts and swam in lakes. I restored an old multi-band radio and listened to strange languages from all over the world. I had wonderful parents, inspirational teachers, and a foundation of unconditional love.
But as I thought about all that, I realized it was my grandfather, Fred Florance -- "Pop" -- who inspired me to become a storyteller. That's because he was one of the originals himself.
Pop was born near Dallas, Texas, in 1879. He was one of eight children born to Civil War veteran, George Alvis Florance, and his young wife, Charlotte Johnson Florance. Pop loved swimming, and as a boy living in Arkansas, used to swim a mile every day in the White River. He loved working among the Native Americans of Oklahoma, and he spoke fluent Osage. He was a gambler who won and lost large sums of money. He eventually owned a tavern near Kansas City, where he played cards and shot craps with Harry Truman, Tom Pendergast, and Frank James, older brother of the notorious outlaw, Jesse James. So I grew up on Pop's stories about his life, his travels, and his adventures.
One such story involved moving in a covered wagon from Waverly, Kansas, in 1904, to Indian Territory, Oklahoma, when my mom was an infant. After swimming a swollen river with my mom wrapped in a blanket, Pop laid my mom on the other bank and swam back to lead the team of horses and wagon across. In the wagon was Pop's young wife, Aria, my grandmother. Once they were across, they set up camp on the bank of the river.
In those days, it was customary to give strangers who rode into camp a cup of coffee and food, which was usually salt pork and beans. Picture a starlit night on the banks of a river with a small fire crackling. The horses were grazing quietly and Aria was in the wagon nursing my mother. And suddenly, out of the darkness rode a tall stranger wearing a six-gun.
When I recall this story I think of the actor, Alfred Molina, from the film, Maverick. A rough and tough character. Intense dark eyes. A scowl -- almost a snarl -- on his face. Dirty. Stinky. And packing a huge Colt .45. You know the kind I'm talking about. I have no idea if the stranger actually looked like Alfred Molina in that film. Pop never described him in much detail other than to say he was a big, rough-looking guy.
The stranger asked if he could have a cup of coffee. Now, Pop stood six-foot-one, and said he was afraid of no one. And if he actually was afraid, he would never let on. So he offered the stranger some beans and coffee. No fancy French plunger coffee, either, but the kind that had been boiled for an hour in a tin pot at the edge of a campfire.
To set the stage for you here: Pop and Aria had just sold the farm in Kansas and had a substantial amount of money with them in the wagon. But Pop was concerned the rough-looking stranger might rob them if he let on. So he made up a story about how broke they were, how he had a sick wife and baby in the wagon, and how they were heading down into Indian Territory to try and make a go of it. On and on Pop went, detailing their troubles.
Pop said he never hated to take a man's last dollar so much in his life. But he was afraid to tell him the truth -- that he had made up the entire story -- for fear the stranger really would rob them.
So if you wonder where I get my propensity for spinning wild yarns and telling tall tales, I got it from Pop. And like Pop, I get a lot of my story ideas from the life I've lived. From what I've experienced.
Incidentally, Pop gave me that silver dollar -- an 1884 Morgan -- and I still have it. It's worn and not worth much apart from its priceless contribution to my beginning as a writer.
Q4U: Was there a defining moment in your life that inspired you in a particular direction?
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